Jennifer Bartlett
Bartlett's practice combines systematic approaches with gestural abstraction, layering mark-making across oil on canvas to create expansive, meditative compositions that balance control and intuition.
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Lynda Benglis
Benglis works with unconventional materials and sculptural approaches, pushing the boundaries between painting and three-dimensional form through innovative application techniques.
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Mary Corse
Corse explores light and perception through painting, using materials including glass microspheres and acrylic to create works that shift and activate in response to viewing conditions.
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Louise Fishman
Fishman's paintings combine gestural abstraction with careful compositional structure, employing oil on linen to build layered, contemplative surfaces that emphasize the physicality of paint application.
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Dona Nelson
Nelson works with acrylic paint and mediums on canvas, developing improvisational approaches that prioritize gesture and color interaction, creating dynamic visual field compositions.
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Joanna Pousette-Dart
Pousette-Dart combines acrylic and unconventional supports including Evolon on shaped wood panels, merging structured geometric forms with organic mark-making.
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Warren Rohrer
Rohrer's oil on linen works employ methodical, minimal interventions—careful marks and fields that emphasize the relationship between color, line, and canvas surface.
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David Row
Row creates intimate abstractions in oil on linen panel, working with subtle palettes and measured compositions that explore the interplay of tone and gesture.
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Pat Steir
Steir's large-scale oil paintings investigate color relationships and gestural possibility, building atmospheric compositions through layered, expressive brushwork.
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Kate Bright
Bright's practice engages oil on canvas to explore color and form through carefully calibrated compositions.
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