David Aipperspach
Aipperspach investigates landscape painting conventions through trompe l'oeil effects and nested perspectives, questioning whether depicted scenes are paintings, backdrops, or temporal reflections.
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James Castle
Recognized as a pre-eminent 20th-century self-taught artist, Castle (born deaf, non-verbal) devoted his practice to drawing with soot and saliva on found paper and packaging materials, creating interior and landscape works of haunting sensitivity.
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Joy Feasley
Feasley paints dreamlike landscapes evoking 19th-century Romantic tradition overlaid with sacred geometries from alternate belief systems. She also collaborates with Paul Swenbeck on large-scale installations.
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Anjali Goodwin
Goodwin paints still lifes and landscapes with particular attention to waterfalls, rivers, and water's reflective properties. She works from the Center for Creative Works, a progressive studio space.
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Peter Allen Hoffmann
Hoffmann moves fluidly between abstraction and realist landscape, using abstract means to represent forest density, light, stones, and decay. Memory and intuitive response supersede verisimilitude in his practice.
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Sarah McEneaney
McEneaney synthesizes daily reality with fantasy through autobiographical paintings employing skewed and omniscient perspectives. Her work carries surreal, all-seeing-narrator quality; recent works depict scenes from a 2023 Ireland residency.
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John Joseph Mitchell
Mitchell translates looking into small paintings set in handmade frames, honoring everyday domestic moments and coastal sublime beauty through meticulous observation.
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Henry Murphy
Murphy practices plein-air tradition inflected by memory, creating small mysterious paintings where landscape metamorphoses into dreamy abstraction. His work occupies the threshold between classical landscape and imaginative spontaneity.
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Samantha Nye
Nye appropriates Slim Aarons' 1960s-70s compositions of opulent interiors, replacing original subjects with lesbian elders in states of undress and erotic pleasure. She creates paintings, videos, and installations referencing Scopitone film.
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Bethann Parker
Parker paints rural Pocono Mountain landscapes and homestead scenes from her sustainable property. Her painting technique mimics embroidery stitching, honoring her mother's craft and her interest in antique textiles.
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Sophie White
White paints from observation, building landscapes through studied attention to form and light.
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Joseph Yoakum
Yoakum (1890-1972) drew fantastical landscapes in his later years, claiming inspiration from memories spanning circus work, World War I service in Europe, rail riding, and travels through Asia and Australia.
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Nasir Young
Young's practice and approach are not detailed in the source material.
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