Adler Guerrier makes works on paper that build layered surfaces out of drawing, collage, and marked material systems. Their practice often combines graphic notation with assembled textures—mixing graphite, paint, cut elements, enamel, and colored-pencil details into compositions that read like personal field guides.
Across this process, Guerrier is attentive to spatial structure and time as experienced from within an “in-between”: not arrival, but motion, contingency, and the pressure of impending moments. The result is work that feels both diagrammatic and affective—precision on top of softness, with mottled passages that carry the emotional weather of survival and “goodness.”
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