MOUTHFUL

Robert David Carey is a Philadelphia-based writer, teacher, and organizer whose multidisciplinary practice spans performance, printmaking, installation, and mixed media. His work investigates identity, consumption, and bodily politics through an alchemy of found objects, projected imagery, and performative elements that blur artist and viewer. Informed by graphic narrative traditions and speculative fiction, Carey creates installations and video works that interrogate how everyday excess and cultural alienation shape human experience, transforming galleries into sites of visceral confrontation and sensory overload.

Theresa Hak Kyung Cha (1951–1982) was a groundbreaking multidisciplinary artist whose brief but prolific practice spanned video, performance, ceramics, artist's books, concrete poetry, and multimedia installation. Born in Busan and shaped by migration across Hawaii and San Francisco, Cha developed a philosophy of "multiple telling with multiple offering," layering Korean, English, and French as materials rather than mere communication. Her work—including the seminal video performance Mouth to Mouth (1975)—treated language, perception, and the body as inextricably linked investigations into displacement, memory, and the primal mechanics of utterance, employing fragmentation and ritualism drawn from Korean shamanic traditions to interrogate how meaning fractures across cultural boundaries.

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