Michael Joo presents early works from the 1990s informed by his undergraduate studies in biology, exploring the laboratory and kitchen as creative spaces analogous to the artist's studio. Using industrial materials, research equipment, synthetic sweat and tears, and kitchen supplies, Joo measures and describes the human body and its vulnerabilities without explicit depiction. The works engage major issues of the time—the AIDS crisis and information technology adoption—presenting the body as an unmeasurable "shimmer" with fragility and constructed identity at its core.