Her practice centers on line and form and on how abstract shapes appear, hold, and then lose meaning. She uses painting and photography to treat visual structure as something that can carry “emotional content,” while sound and projections broaden the work beyond a single static viewpoint.
Hill’s imagery is often composed so that forms can read like words—suggesting narratives when elements are combined—grounding the show in a push toward accessing subconscious, not just deciphering surface appearance.
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